As the Artistic Director responsible for programming the Masters of Magic series for Luminato, I have provided the Festival with notes for the media on why I invited Juan Tamariz, Mac King, Max Maven and Bob Sheets to Toronto.
In other words, what makes these performers so special? For now, let’s focus on Max Maven.
Max Maven’s list of credits is so broad, and so deep, that even a short listing seems obnoxious. He has performed throughout the world, been a featured performer on scores of television programs, and has created and hosted television series for a variety of networks. He has hosted eight network specials in Japan – performing in Japanese – designed an interactive museum exhibition and, of course, performed before live audiences for decades.
With a lifelong passion for conjuring and kindred accomplishments, Max has invented the modus operandi for more magic and mind games than probably any other person in the history of this ancient art.
Magic isn’t, however, his only interest. Inspired by Alexander Woollcott, the quick-witted and intellectual dominatrix of the Algonquin Round Table, Max wanted to become, like Woollcott, a “fabulous monster”.
So Max combined his interest in magic, the paranormal, and human psychology to become a globetrotting mindreader – but one who, like Woollcott, has an acerbic wit.
His full-evening show – Thinking In Person – reflects his myriad of interests. Max takes the audience on a journey. He ushers the audience into his mind as he takes his own trip through theirs.
Now, there is much talk in theatre about the need to break down the fourth wall. Most stage performers, however, are terrified of interacting with the audience in an unscripted manner.
What makes Max’s performances so rewarding is that he not only takes on the risk of interacting with his audience, but he actually embraces it. It can create tension for all concerned. And, that is a good thing.
Join us on June 18, 2010 for Max Maven’s Thinking In Person – the more minds, the merrier.